🗯️ 🗯️ 🗯️ working
plan anyone <-in-reservation>
Since our positions are not defined by our national cultural systems, moreover they are being conditioned according to them; have a
strict set of unassailable limitations, rooted in ecology of affordance; therefore
they are only to be understood as a set of local temporally peculiar mirages that one oughts to checkpoint in an almost athletic mental manner, maneuver.
Displacing one’s own capacity into dispersive array of a still-life space in nature. Excesive, uninterventionist & unwise vector of cooperation in wide spread cultural-fluxes, sheds differential light on conditions.
This, say deracinate effect has an utter
value, a qualitative significance as a transformative vector, operator. It enables the
predictable to happen, even as a distant anticipatory experience enmeshed into the real, of a fluid potential into a: local apprehension of deliverables; the vocabulary of intentions, expanding while being created.
Only through encounters, meetings and the inspection by interacting in the given social pool as opposed to a space for reason, it is (shift-imploding) formatting.
Responsible acting of-in-which writing that partakes in the non-hierarchical exchange is a practice of gluing; the bridging of differential gaps in the global space of exchange in solitude or the prescriptive stance and informational
landscape configurations by acting as a satelite, emmiting impulsive and mediated imagos, as weather-contingency report.
The frequency of interest in actually closer sequencing of the etheric to the literal in as much as around art's thoughtful dissemination.
Imaterial exchange, as that-or-this or that of which its form of unintelligible in-equilibrium is
convincing as swipe.
The utter challenges of affecting concentration, as they provoke us into a spin of post-2000s art systems, followed by the academicised sense of identity and sitcom cultural
critiques, are moreover pressured into new exploratory realms.
This would
led to a future of hyper-unsound dialogue production and, on the atomic scale, extremely intrinsic discoveries in language, with artworking parallels, their theoretical allusiveness. Hence, we shall jump over proposals for the intended lines or focal-points of fright/flight and so forth, activities
that are well based in their methodology affairs, scopes and outcomes.
Approach in familiarization of the
behaviours in artistic practices and cultural sceneries (as the given -place) is full equipped with
sets
of gestures which are fundamentally affirming and micro-plotted conotations of frequent insights and punctual perceptive memos.
Addressing that and thus conducting a sort of elipse, a line suspended across our experiential longitudes of immersion. Followed by impulsive notes[1]into an index type that will generate rhizomatic atextual interface of enforsed top-to-down structures, programmed on the appropriate level platform in load.
Atlases on eventual horizons – the pun aside any aesthetic aim and/or categorical seizure from the encountered physicalities and forms of the progressive world; from post-industrial
stresses followed by ideals of a new critique pressure-tradition.
The societal estrangement within rawness of contemporaneity and ahistorical meanings it upholds.
Within their proposals, emerges the:
-catastrophe
-elimination
-annihilation
-opening up in the layering of global
post-information axys of societies
-with linguistic twists
-humour and political bravery.
[1](fake-vers on
Wittgenstein's leaflet workings in Zettel)
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