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Tag je inicijativa nalik platformi i realizuje se u formi net-magazina. Orijentisan je ka aktuelnim umetničkim paradigmama i dinamikama pretežno mlađe populacije. 

Aktivacija ovog eksperimentalnog anti-bonton poligona, u službi je: izazivanja različitih artikulacija, kolektivnog iskustva u umetnosti, auto-didaktičkog konteksta, saradnje u konformisanju na problematiku kompleksnosti diskurzivnih sistema umetnosti.

Neodređeni jasnim pripadništvom i delovanjem, mladi akteri vremenom razviju mehanizme otklona prema kompleksima akademsko-institucionalnih okvira. A svoj odnos prema kulturnom životu češće prepuste kontraindikativnoj sili inercije; levitirajući tako nad istorijskim pojmovima u fluksu bez konteksta, oni koketiraju sa umetničkom savremenošću tehno-jezikom bez suptilnih razlika; zapostavljanjem promišljanja ideoloških kodova i komodifikacije stvarnosti; od elektronske revolucije ovaj prelazak se izvodi kroz nizove zapleta i usložnjenih protokola i gotovo zakulisno slabi karakteristiku konkretnosti; osim slobodarskih statusa, putem mreže iskazuju se i protestni o liberalizaciji i surplus datostima ali i privilegovani o otklonu prema nametima i investiranju u aktuelno; preostalo je smeša ultra formi hipa, popa, politike i ultimativno kempa. Ovi modalni tokovi uvreženi su činjenicama vremena koje nas lakonski izaziva i uslovljava.

Inicijativa zato nastoji da naznačenim linijama otkriva i trasira ove fenomene. Sa funkcijom disperzivnog stožera; za konfigurisanje registra,  za predstavljanje upotrebnih jezičkih obrazaca, detektovanih tekućih praksi, njihovih diskurzivnih stilova, figura i gestova u kontekstualno osetljivijim ambijentima, situacijama i događajima unutar datog kontinuuma.

Prema navedenom, tag se može odrediti kao vektor u pravcu mišljenja i testiranja eventualnih intervencija na primerima unutar socio-kulturoloških modalnosti. Kako bi se uspostavila jedna bitno navigacijska predstava mrežnih mehanika. Svest o navigaciji predstavlja i uvodi u otvorenu igru relacija, kroz praktične i jezičke, odnosno, tekstualne i dijaloške procedure. Vektor navigacije čini mogućim dalje iskustvo interfejsa, kontakt sa svetom-umetnosti u svetu sistema. 

Kako se daje ovako označiti, tagovanje započinje automatizacijom rasta inputa; generisanjem i pohranjivanjem; frekventnijim osvežavanjem keš-memorije sa podsetnikom da nam ova datost ne bi ostala u oznakama kratkog kapaciteta viralno neoprobanih koncepata.





Tag is a platform-like initiative ought to be realized in the form of a net-magazine. It is oriented towards the current artistic paradigms and dynamics of the predominantly younger population.

Activation of this experimental anti-etiquette polygon is in the service of: provoking different articulations, collective experience in art, auto-didactic context, cooperation in conforming of complexitiy problems of discursive systems of art.

Inexplicit by clear affiliation and action,
 young participants timely develop mechanisms of deviation toward complexes of academic-institutional frameworks. And their attitude towards cultural life is left to the inertia side effects; thus levitating over historical notions in a flux without context, they flirt with artistic contemporaneity via techno-language without subtle differences, neglecting the examination and contemplation of ideological codes and the commodification of reality; since the electronic revolution this transition has been carried out through a series of plots and complicated protocols and almost under-cover it weakens the characteristic of concreteness; in addition to libertarian statuses, protests about liberalization and surplus of data and the given, are also expressed via network, but also the privileged ones about avoidance of charges and investment in the actual; the rest is a mixture of ultra forms of hip, pop, politics and ultimately campThese modal currents are ingrained by the facts of time that laconically challenge and condition us.

The initiative therefore seeks to uncover following the outline, to detect and trace these phenomena. With the function of a dispersive pivot in a configured system for registering, and presenting utilized language matrices, of detected and ongoing practices, their discursive styles, figures and gestures in contextually more sensitive ambients, situations and happenings of a given continuity.

This being said,
tag can be defined as a vector aiming in the line of thinking and testing of the eventual interventions upon examples inside the socio-culturological modalities. This is how one establishes an essentially navigational notion of networks mechanics. The awareness of the navigation introduces and enters into the open game of relations, through practical and linguistic, or textual and dialogical procedures. The vector of navigation enables the experience of interface, the contact with the art-world, in world of systems.

Thus being tolerant for this way of signifying, tagging begins by automatisation of the input growth; by generating and storing; more frequently refreshing the cache-memory with reminder, that the state of the given should not remain in the register of short capacity, of virally untested concepts.

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tag︎20/21